​​Milly Aburrow’s uncanny sculptures and installations of the everyday encapsulates the correlation between connotations of food and its language. Exploring foods social commentary, whether it associates to certain symbolisation, power, memory or societal acceptance. For instance, the stereotypical parallels and relationship between the LGBTQ+ community and the plant based diet. Scrutinising whether food needs to identify with superfluous associations and the person who eats it. She fabricates artworks engrossed in the sphere of consumerism, equating and analysing the substances value both materialistically and nutritionally. The transformative, creation of a faux commercial space and mixed media sculptures, create posed connotations of irony with these notions and objects, challenging the overarching patriarchy of Western society and breaking down outdated stereotypes. ​